Breaking Up is Hard to Do

Dear John – er, I mean Dear Glass Manifestations Blog:

After two years (and three days) of blogging together, I’ve come to realize that my heart truly belongs to another.

lady

You see, shortly after we got together, I began hanging out with another blog. One thing led to another and, dear blog, I fell in love. My other blog, What Rhymes with Stanza, is more fun and more active and just seems to have more personality.

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No offense to you, of course, but I can’t continue leading this double life, leading you on to believe you’re the only blog in my life. I’ve decided I need to choose between the two of you and commit to a monogamous blogging relationship.

I’m leaving you, Glass blog. And I’m taking my favorite posts with me. And the gallery, of course. That was mine before we got together. You can keep the past posts. Hopefully they will remind you of the good times we had together.

hammer

I invite all my Glass Manifestation readers to move with me to WhatRhymesWithStanza.com

I will continue to write about glass and art and finding inspiration. But the Stanza blog goes further afield into other topics I love as well.

This is our last post together, dear Glass blog. I wish you well as you remain behind and… um… stagnate.

I’ve gotta run now. My Stanza awaits me.

Maggie

P.S. – You can keep the “About” page. Stanza and I have our own.

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New Year 2017

sunrise-manifestation

As the sun rises on the first day of 2017, I can’t wait to see what the new year manifests!

Happy New Year to all!


The Daily Post daily prompt: Year

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Streetwise

grass-in-pothole

pothole oasis
resilient perennial
midst asphalt desert


The Daily Post weekly photo challenge: Resilient

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Look What I Found!

IMG_0095

This week’s Discover Challenge at The Daily Post asks us to look back at our blog posts for this past year and find a way to build on or synthesize our best work of 2016.

My best work? Well, having only managed a single post for most of the months this year, the “best” of it becomes a rather short list. Nonetheless, I’ve taken on the challenge of using lines from previous posts to create a “found poem.” Here it is:

Glass Scraps

Things aren’t always what they seem.
You can’t sleep on glass, you know.
Does it matter what smashed it?
I really don’t know how it feels to sleep in a ditch,
having never done so. That I recall.

Chewing on lead… bad idea.
What? You think?
Tell that to your Scrabble companions!

Stuff seems to seek us out at every port,
clinging to us like barnacles on a boat.
Take hostas for example. You know,
those green leafy plants that don’t look like ferns.
They do have a certain je ne sais quoi about them, no?
Or maybe a coagulation of gunked up motor oil
stuck to the floor of a mechanic’s garage.
You know how that is, right?

I never goosed anything, quantum or otherwise.
Since I’m too impatient to do all of that,
that session was cut short once the rock shrapnel
began pummeling the inside lining of my kiln.
Okay, I made that last part up.
This is starting to sound like that twine theory stuff.
Much better than the exploding rock episode.

So what is the significance of all of this?
If you can’t stand the heat,
don’t touch the tip of the soldering iron.
But where’s the fun in that?

If Dart has instilled in you a crippling fear of Tiffany lamp shades,
and since that seemed boring as all get out –
well… his work here is done.


The Daily Post’s Discover Challenge: Retrospective

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Never the Same Thrice

rigid glass window
changing moods of daylight dance
heedless of its pane

change1

change2

change3


The Daily Post Discover Challenge: One, Two, Three!

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Flash Forward

flash

Things aren’t always what they seem.

Things don’t always seem what they are.


The Daily Post weekly photo challenge: Mirror

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Art and Environment

uroboros2

The one-word prompt over at The Daily Post today is “Glass.” How could I not write a post to that prompt?

I’ve been neglecting this blog for a while now, but it’s not for lack of topics to discuss. It’s more because I felt the need to research topics, and to sit down and do a thoroughly well-planned post that considers all sides of an issue.

But where’s the fun in that, right? So I’ll just write with a disclaimer that everything I say has the potential of being utterly false. I think I can work within those parameters.

There’s a lot of change going on in the art glass industry here in the Pacific Northwest, and I imagine it won’t be long until the issues spread nationwide, if they haven’t already.

In some random study of moss or lichen or something (as I said, I forewent the research on this), it came to light that parts of Portland were showing very high lead content in the environments. Further study seemed to pinpoint the source of these pollutants as being two art glass manufacturing sites, who use heavy metals to create the glass.

Chromium, for example, is used in production of glass in colors of green, black, and some browns and purples. Cadmium is used for making yellows, oranges, and orange-reds. Both factories ultimately stopped production of those colors of glass while further testing is conducted to determine the actual sources of pollutants, and while installation of new emission control measures take place.

The divergent responses of the two glass manufacturers — Bullseye and Uroboros —  remind me of two cartoon characters in the children’s magazine Highlights: Goofus and Gallant. Goofus is always rude, thoughtless, uncouth, greedy… Gallant is always thoughtful, considerate of others, polite… well, you get the idea.

So, in my metaphor, Bullseye is Goofus and Uroboros is Gallant. This is the part where lack of research could get me into trouble, so I’ll leave my discussion of the two companies at that.

Another Pacific Northwest glass manufacturer, Spectrum, has gone out of business as of this month. A smaller company than the other two, Spectrum made the determination that — along with other issues — they couldn’t absorb the cost of retooling for emissions control. Spectrum had been in business for thirty years.

While I lament the changes that might curtail the manufacture of many colors of glass, I of course acknowledge the utmost importance of environmental safety. (Hint: Gallant cares about that, too.)

But think about telling Vincent Van Gogh that he couldn’t use yellow in his paintings anymore. “Starry Night” would have become just “Night.” And his Wheatfield and Sunflower paintings? I can’t imagine.

The art glass- and glass art- worlds may never be the same. I’m sure someone will come up with other ways to recreate the colors with less environmentally impactful materials, but it won’t be the same. Or they’ll come up with ways to meet increasingly stringent environmental standards, at which point the cost of manufacturing art glass will skyrocket to the point where the glass will become unaffordable to hobbyists and nonprofessionals.

Okay, I’ve thoroughly bummed myself out now. I guess there’s no use in crying over spilled – um, cadmium. The good news is that my premonitions about the future are usually totally off base. Especially when I haven’t done my research.

I’m guessing that Gallant always does his research.


The Daily Post one-word prompt: Glass

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